Recording classical, contemporary, and crossover music
Production through creativity, collaboration, and clarity
Sessions take place in concert halls and churches. Musicians are often seated in a circle around a central array. Balance and tone are set during their sound check: a small move of the microphone, or a chair, does the work an equaliser would do later. The array is placed for the balance between the instrument and the hall. Distance and angle decide how direct the sound is, and how much of the room comes with it
Editing is done in Copenhagen. Takes are chosen and joined with the same attention as the session. What remains is level and edits, not of correcting of the sound. The sound was set in the hall
A short last stage: level, format, the album as a whole. Not a second production. Little is added, because the recording is already close to the release
Calibrated and measured on site by Dolby. Used fpr post-production, not for sessions. Stereo and immersive versions come from the same location recording, not from a rebuild in the box
3C Sound is Daniel Davidsen’s studio in Copenhagen. The three C’s - Classical, Contemporary, Crossover describe the work: standard repertoire, living composers, and projects that sit between genres or formats.
The name is also the method: Creativity, Collaboration, and Clarity.
Recordings are made on location in concert halls and churches. One engineer takes the project from the microphone array to the master, including large orchestral productions. Musicians are often placed in a circle around the array, so that what is captured in the room is already close to the released sound.
The Copenhagen Studio is a Dolby Atmos Music Studio, aligned by Dolby, used for post-production
Recording Engineer - International Classical Music Awards - Nomination
Producer, Recording Engineer - Longlist
Recording Engineer - International Classical Music Awards - Nomination
Producer, Recording Engineer - P2 Prisen - Recording of the year
Producer, Recording Engineer - International Classical Music Awards - Nomination
Recording Engineer - OPUS KLASSIK - Symphonic Recording of the year
Recording Engineer - International Classical Music Awards - Recording of the year
Mix Engineer - 58th Grammy Awards - Nomination
2018
2017
2015
Statens Kunstfond - Den Unge Elite, First recording engineer to receive the grant
Léonie Sonning Talent Prize - First recording engineer to receive the prize
AES Student Recording Competition Gold, New York, Steve Reich - Ekkozone
© 3C Sound, Copenhagen
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